The Time-Space Loops. -Southeast Asia -Taiwan Contemporary Art Interchange Exhibition This exhibition is trying to reflect the needs which we are seeking for territoriality. The “loop” is a metaphor for the heterogeneous culture in the contemporary Taiwan societies.
CO – TEMPORARY is regarded as temporary co-creation by the process of discussion with OCAC members, art project cooperation, Artist-in Residence exchange/transit, workshops and etc. CO – TEMPORARY #2 Lin Wen-Tsao and Hsu Chia-Wei to do a residency at Sa Sa Art Projects now.
From May to July 2016, OCAC invited Anang Saptoto and Yudha Kusuma Putera to live, work and networking in Taipei for the CO—TEMPORARY: Southeast Asia - Taiwan Forum and Exchange Program on Arts and Culture program.Now OCAC are sending Lo Shih Tung and Shih Pei Cun to do a residency at Ruang MES 56 from 18 July to 6 September 2016.
Kong Dara’s residency project at OCAC is centred around the themes of queer lives. He continues to develop and create a personalised Taipei City map, structuring around his own experience as a gay person from Cambodia. He sketch out his complex experiences, emotions, and memories through pen, in order to find his personal and individual art perspective.
Looking into the lives of queer partners, Kong Dara continued his research from his artwork at Ho Chi Minh City to Taipei while he is in residence in OCAC. His residency artwork is centred around the field research on queer lives. As a gay person from Cambodia, he tried to understand partner relationships for gay and lesbian people in Taipei.
We invite six essential art spaces from Indonesia, Cambodia, Singapore, Malaysia, which includes artist residency organizations, galleries and artist-based spaces. The common issue is that how the conditions of different countries, religious, culture, economy and geography influence the ecosystem of art.
From May to July 2016, OCAC invited Anang Saptoto and Yudha Kusuma Putera to live, work and networking in Taipei for the CO—TEMPORARY: Southeast Asia - Taiwan Forum and Exchange Program on Arts and Culture program. Anang Saptoto and Theodora Agni were also invited to represent Ruang MES 56 and Cemeti Art House as the speakers for a discussion forum from 9 to 10 July 2016.
In the evening, a small vender serving with a small dim light sitting outside of tourist area - I find myself eating hot chicken fried rice sitting on the sidewalk. I cannot describe the visual presentation of the food, but the taste is quite good. Often I see chickens ‘wandering’ on the road. Just in front of the lobby, three white feathered chicken passing...
The Second Chapter of Ln. 25, Dayong St. is a series of solo exhibition about objects from home. The title comes from my old home street address. The first chapter started as a solo show in 2015; now second chapter in the first half of 2016 (this exhibition), combines as a solo exhibition series with another show at the end of the year as the last chapter.
South Circuit environmental touring project is centred around a participative performance piece by a ceramic artist. The small truck will host minced pork rice dish by donation, and various moving image artwork (ex. video art, documentary). The audience are invited to come and watch the video while enjoying the minced pork rice dish.
Open Contemporary Album 2016 is a creative collaboration among nine members of the Open Contemporary Art Center. The lack of a specific title for the exhibition offers an chance to reflect upon how an artist, as part of a co-run organization, constructs a relationship with other members through his or her own art practice.
During the afternoon, I stayed on the couch playing new mobile app game. For a rare material that is hard to drop, I pressed attack button continuously, attacking piccolo birds around the core character. This is a super idiotic action with no meaning, I filled the whole afternoon with this. From time to time, I glance at the computer monitor, waiting for the number ‘two’ o’clock to change to three, three to four.
Sweetwater is Chen Chia-Jen’s public showcase in Taiwan that features works inspired by a residency program in Indonesia. During the residency, the artist focused his investigation on rivers flowing through the city as well as different ways of life within urban and rural water systems. A few video and photographic installation pieces are selected to demonstrate his observatio...
This exhibition is an examination and presentation of the creative environment and the personal relationship of the two artists since their establishment of the “San-Tin-Hái-Bī Studio”. “San-Tin-Hái-Bī” is a phrase written in cursive script on a spring festival couplet that a former resident left, inscribed with good fortune. A deeply...
Alternative Space? Artist-run Space?
Alright, so today we have reached an understanding that “alternative space” has merely a historical connotation left, whereas “artist-run space” cuts directly to the chase, but still nothing is explained through these terms. We suggest a temporary halt on the investigation of terminology. The significance lies in what we do, what we did and what we will be doing next.
So what have you been up to?
In short, we practice art and curate exhibitions. When able, we also organize forums, launch publications and initiate projects for international artistic exchange. If you haven’t the time to read the brief introduction on the back, all you need to remember is this: our job is to generate new dialogues between art and the public and to offer the world something different for a change, or at the very least, we try our best when making mistakes.
Why not simply focus on practicing art?
It’s not that simple. In fact, there is no such thing as simply practicing art. Contemporary art and its viewers have broken away from the monotonous relationship of simply paying a visit to the museum. Whether people are aware of it or not, art has undoubtedly permeated into every aspect of our lives. Therefore, a genuine art practitioner would not shy away when met face to face with genuine public issues. We simply want to do it better.
Where does your funding come from?
Unemployment subsidies. That was a joke. We operate with funds which come from our own pockets and occasional help from limited government funding—translation: we are often short of cash.
Are all members artists?
We were founded as an artist-based organization, but are delighted to have recruited more and more members from interdisciplinary professions in recent years. As for the artists, you may still catch a glimpse of them from time to time carrying a spear and shield, riding a scrawny horse and followed around by a fox hound.
Can I join?
Certainly, you are most welcome to join us. Please note, however, this is not a recruitment ad. Despite our wish to recruit more like-minded friends, we hope that all potential members first try to understand our situation before participating in anything. Acknowledgement of the process is in itself an important form of participation, which means that everything you imagine could be possible. In other words, we would love your attention starting from now.
How does one follow you?
This is an important question but extremely easy to achieve. Simply follow these steps:
(1) like us on Facebook http://www.facebook.com/opencontemporary
(2) e-mail us at ocac2010@gmail.com;
(3) visit us and chat with us whenever
you’re free. You may even receive a cup of freshly brewed coffhee.
Do you accept donations?
Please don’t ask, just act!
